Andrea del Verrocchio
Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.

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Andrea del Verrocchio The Baptism of Christ, oil painting


The Baptism of Christ,
The Baptism of Christ, 1474-1475, Verrocchio and Leonardo.
Painting ID::  61447
Andrea del Verrocchio
The Baptism of Christ,
The Baptism of Christ, 1474-1475, Verrocchio and Leonardo.
   
   
     

Andrea del Verrocchio Madonna with Child, oil painting


Madonna with Child,
Madonna with Child, c. 1470, Verrocchios's workshop. New York, Metropolitan Museum of Art.
Painting ID::  61448
Andrea del Verrocchio
Madonna with Child,
Madonna with Child, c. 1470, Verrocchios's workshop. New York, Metropolitan Museum of Art.
   
   
     

Andrea del Verrocchio Verrocchio oil painting


Verrocchio
Year Deutsch: um 1475 English: c. 1475 Technique Oil on panel Dimensions Deutsch: 177 X 151 cm
Painting ID::  67640
Andrea del Verrocchio
Verrocchio
Year Deutsch: um 1475 English: c. 1475 Technique Oil on panel Dimensions Deutsch: 177 X 151 cm
   
   
     

Andrea del Verrocchio Baptism of Christ oil painting


Baptism of Christ
from 1470(1470) until 1475(1475) Oil and tempera on panel cjr
Painting ID::  72288
Andrea del Verrocchio
Baptism of Christ
from 1470(1470) until 1475(1475) Oil and tempera on panel cjr
   
   
     

Andrea del Verrocchio The Baptism of Christ oil painting


The Baptism of Christ
ca. 1475(1475) Oil on panel 177 X 151 cm (69.68 X 59.45 in) cjr
Painting ID::  73430
Andrea del Verrocchio
The Baptism of Christ
ca. 1475(1475) Oil on panel 177 X 151 cm (69.68 X 59.45 in) cjr
   
   
     

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     Andrea del Verrocchio
     Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.

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